"It is a truth universally unacknowledged that when the dead are trying to remember something, the living are trying harder to forget it." The short, elevator speech for this novel is that Mahoney, a young orphan returns home to his birth town to find out what happened to his presumed dead mother all the while receiving clues from the town's deceased. But this doesn't really give credence to the dark wit of of the carefully crafted characters, to the beautiful scenery, or to the devastating tales of everyone there, dead or alive. It doesn't point out how, despite the beauty of the town and the morally upstanding image they all present, everyone has been lying to both Mahoney and each other for the past couple of decades. And while the living are doing their best to pretend that his mother never even existed, the dead are all trying to remember anything at all.
— Kris Stephens
A charming ne’er-do-well returns to his haunted Irish hometown to uncover the truth about his mother in this “supernaturally skilled debut” (Vanity Fair) and turns the town—and his life—upside down.
Having been abandoned at an orphanage as a baby, Mahony assumed all his life that his mother wanted nothing to do with him. That is, until one night in 1976 while drinking a pint at a Dublin pub, he receives an anonymous note implying that she may have been forced to give him up. Determined to find out what really happened, Mahony embarks on a pilgrimage back to his hometown, the rural village of Mulderrig. Neither he nor Mulderrig can possibly prepare for what’s in store…
From the moment he arrives, Mahony’s presence completely changes the village. Women fall all over themselves. The real and the fantastic are blurred. Chatty ghosts rise from their graves with secrets to tell, and local preacher Father Quinn will do anything to get rid of the slippery young man who is threatening the moral purity of his parish.
A spectacular new addition to the grand Irish storytelling tradition, Himself “is a darkly comic tale of murder, intrigue, haunting and illegitimacy…wickedly funny” (Daily Express).
About the Author
Jess Kidd is the award-winning author of Himself, Mr. Flood’s Last Resort, and Things in Jars. Learn more at JessKidd.com.
"[A] fast-paced yarn that nimbly soars above the Irish crime fiction genre Kidd clearly knows very well." — New York Times Book Review
"Over in Dublin, Jess Kidd’s Himself is her supernaturally skillful debut. Irish eyes are glowing." — Vanity Fair
"For the love of all that’s right and true in the world, you’ve got to read Jess Kidd’s debut Himself(Atria), a fabulously imaginative, darkly comic Irish tale set 'in the arse-end of beyond' in a village called Mulderigg. Reading this picaresque novel is like nursing a pint in a pub while a seanchaí, a traditional storyteller, trills the air with magic and mystery and a local modulates the narrative with irreverent commentary from a stool in the corner...In Mahony, the author has created a literary descendant of Henry Fielding’s “Tom Jones” (also a foundling with parental issues), and in Mulderigg she’s imagined a literary neighborhood akin to Gabriel Garcia Marquez’s Macondo, a place populated with eccentric characters, living and dead. The plot races to an ending of Biblical proportions (as most Irish tales do) and it’ll bring tears to your sorry eyes and joy to your hardened heart." — Milwaukee Journal Sentinel
"[A] whimsical mystery… That’s the pleasure of Himself — the way the novel’s plot, with its delicate language and soft Irish lilt, wanders like lush green vines, never seeming to travel in straight lines. A villageful of characters emerge, all of them having a deft way with a line... The mystery here is how the living and the dead live side by side, and the joy is the music with which Kidd brings all of the characters to life." — The Seattle Times
"Himself is Jess Kidd's confident, engaging debut novel. It has a captivating ensemble cast, great jolts of humor and danger, hair-raising plot twists and just enough darkness to make the magic feel true. A thoroughly enjoyable read." — Minneapolis Star Tribune
“Debut novelist Jess Kidd is so sure-handed that this reader didn’t blink an eye about that dead girl, or any of the other dead characters loitering about the town’s streets, homes, and stores… [A]n ancient, long-retired actress, holed up in the guesthouse where he’s staying, may be the most memorable fictional character I’ve met in years. She’s fully original and fearless, and her machinations with both Mahoney and the local priest are laugh-out-loud funny… Kidd’s memorable page-turner features a unique voice, a concoction brewed of magical realism and dark humor… It would be a pity to miss reading this fine, funny and entertaining story,” — Historical Novels Review
“Himself is a classic, feeding the reader through a multisensory smorgasbord of Irish euphemisms…The snappy dialogue in Himself is delightful and a strong asset to Kidd’s flawless storytelling. The story breathes metaphors into sweet descriptive prose, pulling at heartstrings and bursting with humor…Foul play, fantasy, and a glimmer of romance wrapped up in a suspense-filled ending, makes Himself a delicious, gratifying and ageless story.” — New York Journal of Books
“Mysterious and lyrical… Moving between Mahony’s present and the village’s past, Himself is spun like a fairy tale and paced like a mystery told around a slowly fading campfire. Kidd is brilliant at setting the scene and painting it vividly with a twisted, comic voice… In Himself, the author revels in the magical and supernatural, deftly and often humorously melding superstition and folklore with real personal tragedy.” — BookPage
"[Full of] glorious characters, worthy successors to those of Dickens and Dylan Thomas...Jess Kidd is an author who shows a poet’s way with words and rhythm in her evocation of Mulderrig...[with] a plot of which Agatha Christie would have been proud...[a] beautifully paced, sometimes funny, sometimes sad and ultimately heart-warming book." — Electric Literature
“In her exceptional debut novel, Kidd explores the dark corners of the human mind in small-town 1970s Ireland, creating a haunting story that moves between the supernatural and the mundane. A murder mystery on the surface, the story digs past the traditional whodunit structure to paint a rich portrait of village life... While the plot hurtles along at a rapid pace, leading inexorably to the heart-pounding final conflict, Kidd injects ample doses of macabre humor and lyrical description in this memorable story from a strange, bold new voice.” — Publishers Weekly (starred)
"Debut novelist Kidd paints a darkly magical tale of a man who revisits his birthplace of Mulderrig, a small coastal town in Ireland, to investigate the mysterious circumstances of his mother's death 26 years earlier...Joining Mahony on his quest for answers are three women who add even more color to this richly drawn mystery about a town with more than its share of secrets...Told in a unique voice with complex characters, the paranormal mystery will keep readers guessing whodunit until the very end -- all while falling in love with the quirky cast. A darkly comic tale that is skillfully and lyrically told." — Kirkus
"Every page of Kidd’s who-done-it novel is filled with magic, spirit, peppery characters, and ghosts of the village dead, including their pets, who are visible only to some...Kidd mixes the darkest capacities of these villagers with carefully observed whimsy and fantasy. Readers who enjoy a dollop of whiskey in their tea will feel right at home in Mulderrig.”
"A highly unusual tale set in a highly unusual Irish village full of dark secrets and engaging characters (not all of them still alive). Lushly imagined, delightfully original and very, very funny, it hurtles along from the very first page. A hugely enjoyable read. I can’t wait for more from Jess Kidd.” — M.L. Stedman, bestselling author of The Light Between Oceans
"I love this book. It’s a magic realist murder mystery set in rural Ireland, in which the dead play as important a part as the living. It’s one of those books that has you smiling as you read, and that you plan to read again very soon." — Louis de Bernières, bestselling author of Corelli’s Mandolin
"Jess Kidd is a genius. Her prose sparkles with wit, savagery and startling originality. I loved it." — Tasha Kavanagh, author of Things We Have In Common
"Diabolical deeds, ferociously kept secrets, black humour and magical realism abound in Jess Kidd’s richly textured, thronging debut...The legions of murmuring, plaintive deceased are what most command our attention in the novel...both noirish crime thriller and rollicking comedy...Kidd has imagination to die for and a real command of plot and character." — The Guardian
"An imaginative, witty study of small communities and their secrets." — Financial Times
"This striking literary debut is a darkly comic tale of murder, intrigue, haunting and illegitimacy . . . wickedly funny." — Daily Express
"Kidd's brilliantly bold debut mixes up murder and mayhem with the eerily supernatural. It's a tender, violent and funny story told in prose that is lyrical, lush and hugely imaginative. Utterly unputdownable." — Sunday Express Magazine
"Page-turning and memorable . . . An exuberant rollercoaster of a read." — Irish Examiner
“In her exceptional debut novel, Kidd explores the dark corners of the human mind in small-town 1970s Ireland...A murder mystery on the surface, the story digs past the traditional who-dunit structure to paint a rich portrait of village life..The plot hurtles along in a rapid pace, leading inexorably to the heart-pounding final conflict. Kidd injects ample doses of macabre humor and lyrical description in this memorable story from a strange, bold new voice.” — Publishers Weekly, Starred Review