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Houdini: The Handcuff King by Jason Lutes & Nick Bertozzi   

 

 

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“Houdini: The Handcuff King” by Jason Lutes & Nick Bertozzi (Hyperion, 9780786839025, $16.99)

“Houdini: The Handcuff King” is the first in a new line of graphic-novel biographies for young readers jointly created by Hyperion Books and the Center for Cartoon Studies. In ninety pages of crisp black-and-white art, the book tells a thrilling fictionalized story from the life of Harry Houdini, the famous Jewish Hungarian-American escape artist and stage magician.

The book begins with an engaging introduction by novelist Glen David Gold, author of the rollicking escape-artist novel “Carter Beats the Devil.” Gold unlocks the unique nature of Houdini’s enduring fame by likening him to basketball player Michael Jordan: just as Jordan’s stardom brought intense new attention to his sport, Houdini’s immense renown gained worldwide acclaim for stage magic. “He was the first man in history,” Gold says, “to be famous because what he did was cool.”

Like Gold’s introduction, the book’s main story is deftly aimed to interest young readers. Rather than offer a stale overview of Houdini’s life, Lutes and Bertozzi instead choose a single telling incident that captures much of what made the man a sensation. They take readers through a single day in 1908, the day the Great Houdini, wrapped in chains and clasped in handcuffs, leapt from the Harvard Bridge into the freezing waters of the Charles River.

From 5:00 a.m. on, we get to see Houdini practice and prepare, rehearsing his skills as a lock-pick, tracing his route to the bridge, and imagining his death-defying leap. Along the way, our storytellers show us how Houdini wins the complete trust of his assistants (absolutely necessary to keep his tricks secret), how he confronts the unthinking anti-Jewish bias shown by the police, and how much he relies on the partnership and cleverness of his steady wife Bess.

Lutes and Bertozzi prove that a graphic novel is the perfect form to showcase Houdini’s spectacle-rich life. In each panel, with his every word and expression, their Harry Houdini exudes showmanship and panache. And in the last tense seconds before the big moment, the authors ratchet the tension up with an excellent sequence of excellently-paced images: Bess’s arrival at the bridge is delayed, Harry has to posture and stall; Bess barrels through the police line to give her husband his good-luck kiss (and to slip him a secret lock-pick); Harry then plunges down into the river’s black embrace and sets about working his magic.

This well-told story benefits from clear, beautiful drawings and first-rate design. The book is a solidly made hardcover that features a short bibliography and genuinely interesting endnotes that comment on elements of the main story: series editor James Sturm explains incidental details like the workings of turn-of-the-century advertising and telecommunications and the college rivalry between Yale and Harvard. It all adds up to a great package that’s sure to catch young readers’ imaginations. “Houdini: The Handcuff King” is a treat that should find a place on library shelves and in the hands of youthful, wondering readers.

(For ages 9 and older)

Review by Mark David Bradshaw

Hook a young person with this well-done graphic novel, then introduce them to the recent young-reader biography Escape! The True Story of the Great Houdini

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