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Watermark Bestsellers
Watermark Bestsellers.
1. "The Pioneer Woman Cooks: Food From My Frontier" by Ree Drummond
2. "Fifty Shades of Grey" by E.L. James
3. "Moon Over Manifest" by Clare Vanderpool
4. "Fifty Shades Darker" by E.L. James
5. "Fifty Shades Freed" by E.L. James
6. "The Ex-Nun Poems" by Jeanine Hathaway
7. "Catching Fire" by Suzanne Collins
8. "Dovekeepers" by Alice Hoffman
9. "Radiating Like a Stone" edited by Myrne Roe
10. "Three Novels of New York" by Edith Wharton
Week ending 04/15/12
"Chango's Beads and Two-Tone Shoes" by William Kennedy
In the latest novel in his Albany Cycle, Pulitzer Prize-winner William Kennedy (Ironweed) tells the somewhat convoluted story of Daniel Quinn, an Albany journalist trying to fill the large shoes of his historian grandfather and numbers-running father. The story begins with Quinn hanging out in Havana in the 1950s, vying for an interview with the rebel Castro hiding from Batista in the same hills where his grandfather once pursued the 1890's machete-wielding Mambí Cuban revolutionary fighters.
Havana in the '50s is a wild, musical place--a hodge-podge of gamblers, whores, politicians, soldiers, revolutionaries, gangsters and wealthy sugar plantation owners. Quinn runs into Hemingway drinking rum at the infamous El Floridita. There, "Dr. Hemingstein" introduces Quinn to the hot and beautiful Renata--20 years Quinn's junior and a rebel sympathizer. Their conversation follows in the stilted declarative shortcuts of Hemingway prose, even as the writer's advice pours out: "Keep [exaggerating] and soon you'll have a novel... remove the colon and semicolon keys from your typewriter... shun adverbs, strenuously." Rarely does a serious novel get an opportunity like this to make fun of all the Hemingway writing clichés.
An early rebellion against Batista fails, and Quinn marries Renata to take her back to Albany. Kennedy then jumps to 1968, the year of Bobby Kennedy's killing, when New York's racially divided capital city has become a battleground. Through the words of the brilliant character of Quinn's father, the dementia-addled George, Kennedy is able to bring to life the history of the city, against which the plot takes on the heat of local revolution. Ultimately a homeless black man with a gun and a defrocked radical priest band together to prevent a riot, "the pair of them on an odyssey of Franciscan politics and leftover jazz."
With such a broad stage of characters and a story crossing 20 years of social struggle in two countries, Kennedy works to tie all the loose ends together. That he largely succeeds is perhaps the result of all his years of journalism and fiction--years spent practicing many of the very same Hemingway precepts that he ironically mimicked in the first chapters.
Review by Bruce Jacobs
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