The Serpent of Venice (Hardcover)
May 2014 Indie Next List
“Moore has always been a fantastic comic writer, with a fierce intelligence behind his relentlessly entertaining books. Most recently, he's been giving that intelligence free rein, taking art, history, and Shakespeare into unexpected and humorous new realms, and The Serpent of Venice is his most delightful book yet. This novel continues the adventures of Pocket, the titular jester of Fool, as he befriends Shylock's daughter, tries to straighten things out for Othello and Desdemona, and gets mixed up in Venetian politics, some of which bear a disturbing similarity to current events. And did I mention the sea serpent? Hilarious, thought-provoking, and thoroughly enjoyable!”
— Carol Schneck Varner, Schuler Books & Music, Okemos, MI
Venice, a long time ago. Three prominent Venetians await their most loathsome and foul dinner guest, the erstwhile envoy from the Queen of Britain: the rascal-Fool Pocket.
This trio of cunning plotters the merchant, Antonio; the senator, Montressor Brabantio; and the naval officer, Iago have lured Pocket to a dark dungeon, promising an evening of sprits and debauchery with a rare Amontillado sherry and Brabantio's beautiful daughter, Portia.
But their invitation is, of course, bogus. The wine is drugged. The girl isn't even in the city limits. Desperate to rid themselves once and for all of the man who has consistently foiled their grand quest for power and wealth, they have lured him to his death. (How can such a small man, be such a huge obstacle?). But this Fool is no fool . . . and he's got more than a few tricks (and hand gestures) up his sleeve.
Greed, revenge, deception, lust, and a giant (but lovable) sea monster combine to create another hilarious and bawdy tale from modern comic genius, Christopher Moore.
Note: The book, too, is a veritable work of art. Rich creamy stock is enhanced by two-color printing, featuring part/chapter titles, running heads, and folios printed in red ink. The text block has blue-stained edges. The book opens to reveal two-page spread endpapers decorated with a sepia-toned antique map of Venice; an antique map of Italy graces the book's front matter, printed in red. The jacket sports a matte finish with embossed author and title type; gold foil embellishes the title and illustration detail.